See around the 1:05-1:08 mark for some discussion about “electronic folk culture” and internet centralization - but the whole documentary is really cool - about the 80’s/90’s plunderphonics genre - intellectual property laws - and access - and what the future might hold

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BTW, if this speaks to you, and you’d like to collaborate on some new takes on these sort of aesthetics, find me on irc or tilde.town and let’s have some fun